|
titres
(réalisateurs)
|
C.G.
|
C.M |
M.M. |
N.R |
A.S |
| Le
château ambulant (H. Miyazaki) |
** |
|
|
|
|
| Phantom
of the Opera (Joël Schumacher) |
* |
|
? |
|
|
| La
chute (Oliver Hirschbiegel) |
* |
|
|
|
* |
| Alexander
(Alexandre) de Oliver Stone |
*** |
|
|
|
|
| L'autre
rive (David Gordon Green) |
|
* |
* |
|
* |
| Le
silence (Ordo Miret) |
|
|
* |
|
* |
| Rois
et reine (Arnaud Despléchin) |
|
|
|
|
|
| Les
temps qui changent (André Téchiné) |
|
*** |
*** |
|
*** |
| Café
lumière (Hou Hsiao-hsien) |
|
* |
**** |
|
*** |
| Maria,
pleine de grâce (Joshua Marston) |
|
* |
* |
|
** |
| Le
dernier trappeur (Nicolas Vanier) |
|
° |
!!! |
|
° |
| Or/Mon
trésor (Keren Yedaya) |
|
* |
*** |
° |
*** |
| Le
grand voyage (Ismaël Ferroukhi) |
|
|
**** |
|
*** |
| The
Incredibles/Les indestructibles (Brad Bird) |
*** |
° |
!!! |
|
|
| 36
quai des Orfèvres (Olivier Marchal) |
*** |
*** |
*** |
|
**** |
| Whisky
(Juan-Pablo Rebella et
Pablo Stoll) |
|
|
** |
|
* |
| Nobody
Knows (Hirokazu Kore-eda) |
|
* |
* |
|
** |
| Un
long dimanche de fiançailles (Jean-Pierre Jeunet) |
** |
|
|
* |
* |
| Samaria
(Kim Ki-duk) |
|
** |
** |
|
*** |
| Les
revenants (Robin Campillo) |
|
|
** |
|
*** |
| 2046
(Wong Kar Wai) |
* |
* |
** |
*** |
** |
| Basse-Normandie
(Patrica et Simon Mazuy-Reggiani) |
|
** |
*** |
° |
|
| Man
on Fire (Tony Scott) |
** |
|
|
* |
|
| Eternal
Sunshine (Michel Gondry) |
|
|
|
* |
|
| Collateral
(Michael Mann) |
*** |
*** |
*** |
*** |
*** |
| Old
Boy (Park Chan-wook) |
|
° |
** |
*** |
* |
| Mean
Creek (Nicolas Winding Refn) |
|
** |
** |
** |
* |
| Inside
Job (Jacob Aaron Estes) |
|
|
|
° |
|
| Land
of Plenty (Wim Wenders) |
|
*** |
**** |
* |
*** |
| Steamboy (Katsuhiro
Otomo) |
|
|
|
** |
|
| Comme
une image (Agnès Jaoui) |
|
** |
* |
° |
° |
| The
Terminal (Steven Spielberg) |
** |
** |
*** |
** |
|
| Ordo
(Larence Ferreira Barbosa) |
|
* |
* |
|
|
| Diarios
de motocicleta/Carnets de voyage (Walter Salles) |
|
**** |
*** |
° |
**** |
| The
Bourne Supremacy/La mort dans la peau (Paul Greengrass) |
*** |
** |
** |
** |
* |
| Salvador
Allende (Patricio Guzmán) |
|
|
|
|
|
| The
Coast Guard (Kim Ki-Duk) |
|
* |
** |
* |
*** |
| Clean (Olivier
Assayas) |
|
*** |
** |
** |
*** |
| Infernal
Affairs (Andrew Law et Alan Mak) |
|
|
** |
*** |
|
| Exils (Tony
Gatlif) |
|
|
** |
|
|
| The
Village (M Night Shyamalan) |
*** |
*** |
**** |
**** |
**** |
| Hellboy (Guillermo
del Toro) |
* |
|
|
*** |
|
| King
Arthur (Antoine Fuqua) |
* |
|
|
* |
|
| I,
Robot (Alex Proyas) |
** |
* |
*** |
** |
|
| Home
on the Range/La ferme se rebelle (Will Finn...) |
* |
|
|
|
|
| Goodbye,
Dragon Inn (Tsai Ming-Liang) |
|
|
**** |
|
**** |
| Spider-man
2 (Sam Raimi) |
** |
** |
** |
*** |
* |
| Ae
Fond Kiss/Just
a Kiss (Ken Loach) |
|
*** |
*** |
|
**** |
| Fahrenheit
9/11 (Michael Moore) |
** |
*** |
* |
* |
* |
| Te
Doy Mis Ojos/Ne dis rien (Icíar Bollaín) |
|
*** |
*** |
|
** |
| Alexandrie...
New York (Youssef Chahine) |
|
* |
** |
|
** |
| Super
Size Me (Morgan Spurlock) |
|
* |
|
|
!!! |
| Dawn
of the Dead (Zack Znyder) |
** |
*** |
*** |
** |
|
| Shrek
2 (Andrew Adamson) |
* |
** |
* |
° |
~ |
| Memories
of Murder (Bong Joon-Ho) |
|
*** |
*** |
**** |
**** |
|
Wonderful Days (Kim Moon-saeng) |
|
|
|
° |
* |
| Le
rôle de sa vie (François Favrat) |
|
*** |
* |
|
** |
| 2
sœurs (Kim Jee-Woon) |
|
° |
° |
** |
* |
| The
Ladykillers (Joel Coen) |
** |
* |
* |
° |
° |
| Le
plein de super (Alain Cavalier) |
|
*** |
*** |
** |
**** |
| The
Punisher (Jonathan Hensleigh) |
° |
|
|
° |
? |
| 36E
Chambre, instants d'audiences (Raymond Depardon) |
|
*** |
*** |
** |
**** |
| Harry
Potter and the Prisoner of Azkaban (Alfonso Cuaron) |
*** |
|
|
** |
|
| 10
On Ten (Abbas Kiarostami) |
|
|
*** |
|
**** |
| The
Day After Tomorrow/Le jour d'après (Roland Emmerich) |
* |
|
|
° |
? |
| La
femme est l'avenir de l'homme (Hong Sang-soo) |
|
* |
** |
|
|
| Kill
Bill Volume 2 (Quentin
Tarantino) |
** |
**** |
**** |
*** |
**** |
| La
mala educación (Pedro Almodóvar) |
|
|
* |
° |
** |
| Troy/Troie
(Wolfgang Petersen) |
* |
|
|
** |
~ |
| Les
yeux secs (Narjiss Nejjar) |
|
** |
*** |
|
**** |
| Broken
Wings (Nir Bergman) |
* |
**** |
**** |
|
*** |
| Séance (Kiyoshi
Kurosawa) |
|
** |
*** |
° |
** |
| Van
Helsing (de Stephan Sommers) |
° |
|
|
° |
? |
| Gori
Vatra (Au feu !) (Pjer Zalica) |
|
** |
** |
|
* |
| El
abrazo partido/Le fils d'Elias (Daniel Burman) |
|
* |
** |
|
** |
| Starsky
& Hutch (Todd Phillips) |
* |
|
* |
* |
? |
| Printemps,
été, automne, hiver... et printemps (Kim Ki-Duk) |
|
*** |
*** |
*** |
** |
| Secret
Window (Fenêtre secrète) (David Koepp) |
* |
|
|
* |
|
| Coffee
and Cigarettes (Jim Jarmusch) |
|
|
** |
° |
|
| La
passion du Christ (Mel Gibson) |
** |
|
|
° |
* |
| Kiki,
la petite sorcière (Hayao Miyazaki) |
*** |
|
|
*** |
|
| Shara
(Naomi Kawase) |
|
*** |
*** |
° |
**** |
| Vodka
Lemon (Hiner Saleem) |
|
*** |
*** |
|
*** |
| Osama
(Siddiq Barmak) |
|
* |
* |
|
|
| Triple
agent (Éric Rohmer) |
|
* |
*** |
**** |
|
| Chemins
de traverse (Manuel Poirier ) |
|
*** |
*** |
|
|
| Big
Fish (Tim Burton) |
** |
|
** |
° |
* |
| Gerry (Gus
van Sant) |
|
**** |
**** |
**** |
**** |
| Feux
rouges (Cédric Kahn) |
|
|
* |
** |
|
| Open
Range (Kévin Costner) |
**** |
|
|
* |
|
| Paycheck
(John Woo) |
|
|
|
* |
|
| Sang
et or (Jajar Panahi) |
|
** |
**** |
|
*** |
| Confidences
trop intimes (Patrice Leconte) |
|
|
** |
° |
|
| Vert
Paradis (Emmanuel Bourdieu) |
|
|
** |
|
|
| S21,
la machine de mort khmere rouge (Rithy Pahn) |
|
|
*** |
** |
**** |
| Baboussia
(Lidia Bobrova) |
|
|
** |
|
*** |
| Buongiorno
notte (Marco Bellochio) |
|
** |
* |
*** |
|
| Turning
Gate (Hong Sang-soo) |
|
* |
* |
|
* |
| The
Tewas Chainsaw Massacre (Marcus Nispel) |
** |
|
|
* |
|
| 21
Grams (Alejandro
Gonzalez Iñarritu) |
|
|
|
° |
|
| Père,
fils (Sokourov) |
|
|
|
|
** |
| Uzak
(Nuri Bilge Ceylan) |
|
*** |
*** |
* |
** |
| The
Last Samouraï (Edward Zwick) |
? |
|
~ |
** |
|
| Lost
in translation (Sofia Coppola) |
|
* |
** |
**** |
*** |
| Gothika
(Mathieu Kassovitz) |
* |
|
|
° |
|
| Stuck
on You (Les frères F) |
*** |
|
|
**** |
|
| L'esquive
(Abdellef Kechiche) |
|
*** |
*** |
** |
**** |